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All posts by Larry Christopher
French Film Rare Dvd Romantic Comedy Hugh Bonneville
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The Babysitters (2007)
The Babysitters (2007)
Director: David Ross
Starring Katherine Waterson and John Leguizamo
The Babysitters is a curious movie that is entertaining yet doesn’t quite achieve coherence. It could be a dark satire about modern suburbia, an amoral, hedonistic comedy about teenage prostitution or a cautionary, moralistic tale about teenage prostitution. Instead of settling on one of these modes, Babysitters hedges its bets and veers awkwardly among them.
The movie starts with high school student Shirley (Katherine Waterson) babysitting for a family and becoming romantically involved with the father, Michael (John Leguizamo). Shirley appears to be a shy, demure teenager who develops a crush on an older man, while Michael is an unhappily married businessman.
After Michael kisses Shirley after driving her home, he gives her money, presumably out of guilt. From this, Shirley develops the idea to start a prostitution ring at her high school and proceeds to recruit her friends. Michael, meanwhile, tells his friends about the new kind of “babysitting” service and things move quickly from here.
Both Shirley and Michael are played a bit too sympathetically for the movie to really work as a dark satire. Shirley doesn’t seem like someone who would suddenly turn into a streetwise madam overnight, while Michael seems too guilt-ridden to be telling all of his neighbors and business associates about his new vice.
The Babysitters cannot help but be an essentially amoral film that seduces the audience with the taboo subject of sex between middle-aged men and high school girls. The moralistic tone it takes at times, and especially at the conclusion, seems disingenuous in a movie that mostly treats its subject with such flippancy.
The performances, especially by Leguizamo and Waterson are good, but their characters really don’t gel with the script. The lesson here is that if you are going to make a movie about a controversial subject, you may as well take it to an extreme rather than do it halfway and try to please everyone. The problem with The Babysitters is that it will not really please anyone; it will offend those who find the subject matter intrinsically distasteful, and it will disappoint anyone looking for cutting edge satire or hedonistic fun.
Rare Vhs, “art House” Spoof On “independent” Films, ’98
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The Great Movies II
From Publishers Weekly
At times, Ebert’s second collection of 100 essays on great (but not, he’s careful to point out, the greatest) movies reads like an anthology of recycled reviews from his Chicago Sun-Times column, especially when he gets talking about the bonus features on DVDs. But anyone looking for a crash course in cinema viewing—regardless of whether they’ve been through Ebert’s first Great Movies collection (published in 2002)—will find plenty of rewards here. Some…
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The Columbia Companion to American History on Film: How the Movies Have Portrayed the American Past
Review
“This handy collection of 79 essays… should be most helpful as a reference guide for newcomers to film studies, but advanced scholars will also benefit from the historical analyses and interpretations of film texts. Highly recommended.” — Choice”Rollins’s reference allows readers to appreciate films in context, enhancing the experience. Film buffs will find the mix of history and cinematic analysis captivating, while historians will be intrigued by the book’s analysis …
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1001 Movies You Must See Before You Die: 5th Anniversary Edition
From Booklist
Film lovers seeking critical guidance more discerning than daily newspaper reviews but less daunting than scholarly journal articles depend on a handful of critics who write about rarefied films for a general audience. 1001 Movies You Must See before You Die puts a user-friendly mask on the serious thought animating its effort to create a roster of indispensable films and rather belies the erudition of its well-qualified contributors. The chosen 1,001 are chronologi…
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Turning Points in Film History
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Stage and Spectacle – Three Films by Jean Renoir
These three Jean Renoir films were not conceived as a trilogy, but they fit beautifully together in this Criterion package: all luscious with theatrical color, wry in tone, and awestruck by beautiful women. When Renoir returned to Europe after his wartime exile in Hollywood, he first turned to The Golden Coach (1953), an international co-production shot in Rome. It contains all of Renoir’s love of the theatrical life, as a traveling troupe of actors arrives in a colonial town i…
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To Hell With Love-independent Film-david Coburn
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